We are here to talk about Weber's film, Chop Suey, a curious, beautifully constructed exploration of some of the photographer's longstanding obsessions: the life of the lesbian show singer Frances Faye the sun-baked memories of the 92-year-old English explorer Sir Wilfred Thesiger and, centrally, the personal transformation of Weber's latest model and muse, Peter Johnson. ![]() 'Many people,' he says, 'when they meet me, observe that I don't look much like my pictures.' He giggles. He tucks into a breakfast omelette and talks through his straggly grey beard in the most languid of voices, leisured and self-absorbed, like his photographs he has a blue handkerchief knotted around his head, a baggy shirt and trousers over a generous bulk (less six pack than Party Seven). ![]() I meet Weber in a Brazilian café around the corner from the loft in Tribeca, near New York's Greenwich Village, where he has his studio. The images of this fantasy were, in large part, the vision of one man, Bruce Weber, who, in his extraordinary photo shoots for the underwear and perfumes of Calvin Klein and his 20-page portfolios of gilded American youth for Ralph Lauren, did much to transform the idea of male sexuality for our times (and sold a vast number of branded boxer shorts and pastel polo shirts into the bargain). The icons of that narcissism, the most visible signs of the idealised, toned, high-cheekboned life that wealth might buy just for you, were found on the giant billboards of the financial districts and in Times Square, and on the pages of men's fashion magazines that had been launched to cater to the dreams of potency among the new, youthful, share-optioned class. The fin de siècle American empire of money, born in the Wall Street dealing rooms in the late Eighties, sustained by the dotcom bubble of the Nineties, and just now beginning to unravel, borrowed myths of narcissism. There's just one hitch: They first have to persuade the world's most reclusive rock star - played by legendary music icon Bono, making his animated film debut - to join them.E mpires require myths to sustain them. Next holiday season, the new chapter in Illumination's smash animated franchise returns with big dreams and spectacular hit songs as can-do koala Buster Moon and his all-star cast of animal performers prepare to launch their most dazzling stage extravaganza yet … in the glittering entertainment capital of the world. System of a Down's "Chop Suey!" - the band's first single from their 2001 sophomore album, Toxicity - can be heard at 1:10. Other music superstars such as Pharrell Williams and Halsey also make appearances in Sing 2, as does Black Panther's Letitia Wright and comedians Eric Andre and Chelsea Peretti, according to the movie's official website from animator Illumination and distributor Universal. Club called it "a good opportunity for kids to get into System of a Down and for them to ask their parents who Bono is, because those two topics rarely come up in kid-oriented media anymore." ![]() The veteran rocker portrays the "lion rock legend" Clay Calloway. The anthropomorphic animal first appeared in 2016's Sing alongside main characters Buster Moon (Matthew McConaughey a koala), Rosita (Reese Witherspoon as a pig) and Ash (a porcupine Scarlett Johansson).Īll three stars return for Sing 2, joined by U2 singer Bono in his first-ever lead animation role. That metal-loving iguana is Miss Crawly, the character voiced by Sing 2 writer and director Garth Jennings.
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